Photo by Jon Barraclough, 2014
Null Object links neurophysiology, psychophysics and manufacturing technology to produce a sculptural object in Portland stone. Using bespoke software, London Fieldworks produced 3D shape information from EEG readings of Gustav Metzger’s brainwaves as he attempted to think about nothing. This data was translated into instructions for a manufacturing robot, which carved out the shapes from the interior of a block of stone to create a void space.
London Fieldworks produced a publication of the same name published by Black Dog Publishing, including an introduction by the artists, a text by Gustav Metzger and four contextualising essays by Bronac Ferran, Hari Kunzru, Nick Lambert and Christopher Tyler. These leading writers across the fields of literature, art, science and technology explore the diverse historical and conceptual grounding for and broader implications of NULL OBJECT’s production process.
Exhibitions: Work Gallery, London (2012); Anglia Ruskin Gallery, Cambridge (2013); The Bluecoat Gallery, Liverpool (2014); Sprengel Museum, Hanover (2014).
Supported by Arts Council England and the Computer Arts Society.